Top
  • About
  • Drawings
  • Sketchbook
  • Journal
  • Shop
  • Contact
Menu

Claire Leach

  • About
  • Drawings
  • Sketchbook
  • Journal
  • Shop
  • Contact

What’s It Worth?

July 1, 2023

Well, it’s been a while! I’ve just come out of ‘maternity leave’ with my daughter. A period of several months where my online shop has been closed, I haven’t written a blog post or sent a newsletter, I haven’t posted on my art focused Instagram account or Facebook page and the only tweets I’ve written are ‘good morning’ ones or the occasional ‘from the archive’ with old work attached. It’s felt very strange to not have my business running in the background of family life but has also felt extremely freeing. I’ve still been thinking about art and my work, I don’t think an artists mind ever really takes a break, but not having to do all the admin that being a self employed artist encompasses, well that has been great.

My daughter is a few days shy of eight months old now and I’ve been so excited to return to work, I’m so lucky that I can fit being an artist around being a parent. Although it doesn’t pay all that much it does give me something to focus on besides being a mother and helps me to feel a little bit like myself pre-children.

While being on ‘maternity leave’ I’ve had some thoughts about my work, more specifically the money side of things, how much I value my work and how much I charge for it. Last year I was invited to take part in an exhibition at a gallery on the outskirts of the Forest of Dean, I agreed with the knowledge that the exhibition wouldn’t be until autumn 2023 so I’d have enough time to make a new body of work for it. One of the discussions that I had with the gallery owner was about pricing. The gallery owner was concerned at my low pricing and urged me to rethink how much I charge, encouraging me to charge more. Words that rung in my head were “it is essential that you don’t let your own feelings around price hold you back - far better to sell less but at prices that pay you properly for your time, skill and training”.

For the past several years I’ve been charging between £120-150 for my detailed woodland drawings, works that although small take a lot of time to make. From the research trips to woodlands (including annual visits to the Forest of Dean, my favourite subject) to take photographs, to paper prepping, to the actual drawing; composing, mark making. The years of trial and error, the money and time spent on two art degrees. £150 for a drawing which once framed I would usually charge £200 for doesn’t pay me very much at all for my time, skill and experience. If a £200 framed drawing is sold at a gallery with a standard 40% commission rate then I’d make £120 - take off approximately £50 for the frame and I take home £70. £70 for a piece that I put so much of my time and effort in to. It’s quite heartbreaking really.

I always worried about charging more, and it probably all has something to do with lack of confidence and my background - raised by a single parent on a low income, from a working class family. It feels uncomfortable for me to command big prices for my work, drumming up feelings of ‘who do I think I am’ and ‘your work isn’t good enough to merit that kind of money’. But it’s got to the point where I’d rather price my work higher and only make the odd sale but feel happy with the price than price low, perhaps sell more but feel like I’m underselling myself and undervaluing my work. Although I do make my living from selling my work I’m going to explore other revenue streams in order to take the pressure off of selling originals and the temptation to lower my prices whenever I hit a sales drought.

It feels very vulnerable to write out my thoughts here, and my worry is that people think I’m being greedy or asking too much. I have to put my own self doubt to the side and have a little faith, faith that there are still people out there willing to pay the right price for my work, faith in my abilities and myself.

With this in mind I have chosen to increase the prices on my original work going forward. I will still be offering high quality giclée prints of selected drawings at affordable prices as it is important to me that prints remain within reach of the majority.

If you enjoyed reading then please click the heart at the bottom, share or better still leave me a comment, I love reading them. ❤️

In Art, Personal Tags artist, drawing, landscape, personal, pricing, self worth
2 Comments

Instagram

Little sparrow is still in need of a home, his mates robin and wren flew the nest a while ago and he’s feeling left out! If you like him but his price tag is a bit much then he is available as a print from as little as £16 - prints are hi
Little sparrow is still in need of a home, his mates robin and wren flew the nest a while ago and he’s feeling left out! If you like him but his price tag is a bit much then he is available as a print from as little as £16 - prints are high quality giclée. 🕊 In other news today was supposed to be my art making day as my little boy spent the day with his grandparents, it’s been a while since I had the day to work so I had lots of plans. I ended up spending hours writing a blog post about my recent trip to the Forest of Dean and then after cleaning the bathroom and folding a mountain of laundry there was no time to get the brushes out! Oh well, that’s how it goes sometimes so trying not to beat myself up about it as it was a productive day in other ways. Hopefully I’ll get my art day next week instead. I hope you’ve all had a good day. If you wanted a read of my blog then the link is in my stories currently. #hereforthestills #sparrow #supportlivingartists #inspiredbynature
I saw a familiar tree while walking in the Forest of Dean last week, one I drew a few years ago when I first started making these woodland drawings. It’s such a knarly tree with so much character, scroll across to see. I’ve always been a
I saw a familiar tree while walking in the Forest of Dean last week, one I drew a few years ago when I first started making these woodland drawings. It’s such a knarly tree with so much character, scroll across to see. I’ve always been a tree person, a bit of a tree hugger. Seeing this one as I rounded the corner was like seeing an old friend. 🌲 #forestofdean #inspiredbynature #hereforthestills #dendrophile
I’ve spent the week with my little family in the Forest of Dean, my childhood happy place and inspiration for many of my drawings including these early ‘woodland studies’. I’ve taken hundreds of photographs of the woodland tra
I’ve spent the week with my little family in the Forest of Dean, my childhood happy place and inspiration for many of my drawings including these early ‘woodland studies’. I’ve taken hundreds of photographs of the woodland trails and beautiful autumn leaves that I’m hoping will inspire a new body of work, I’m looking forward to the next time I’m able to sit and draw, it feels like it’s been ages! A few of these woodland drawings are available as high quality giclée prints, they’re at claireleach.com/shop if you’re interested. 🍂 #forestofdean #inspiredbynature #slowartistsclub #hereforthestills

Shop

Featured
1AA704E5-19EF-4104-B1FD-98BF7B7EE00C.jpeg
Sculpture Trail Ferns Framed Original Drawing by Claire Leach
£550.00
C7920EF7-4E79-4FD1-A2EA-DF771FEA7818.jpeg
Savernake in September I Framed Original Drawing by Claire Leach
£225.00
72079619-573C-4A23-B123-F68AA92BA34D.jpeg
Savernake in September II Framed Original Drawing by Claire Leach
£225.00
  • February 2025
    • Feb 13, 2025 Project Workshops Open Studio
  • December 2024
    • Dec 31, 2024 Year in Review: 2024
  • August 2024
    • Aug 1, 2024 Among the Trees Exhibition
  • July 2023
    • Jul 1, 2023 What’s It Worth?
  • December 2022
    • Dec 28, 2022 Scotland
    • Dec 28, 2022 Exhibiting with Wiltshire Artists
  • August 2022
    • Aug 10, 2022 A Little Life Update
  • July 2022
    • Jul 18, 2022 Danebury: Past and Present Footsteps Exhibition
  • February 2022
    • Feb 28, 2022 Artist Interview: Sherrie-Leigh Jones
    • Feb 3, 2022 Artist Interview: Kamaria Pryce
  • January 2022
    • Jan 28, 2022 When Drawings Go Wrong
  • November 2021
    • Nov 18, 2021 The Royal Forest of Dean and the Wye Valley
  • August 2021
    • Aug 19, 2021 Self Isolation Silver Linings
  • April 2021
    • Apr 22, 2021 Argentina's Lake District Immortalised
  • December 2020
    • Dec 21, 2020 2020: In Review
  • November 2020
    • Nov 14, 2020 Dream Art Destinations
  • June 2020
    • Jun 11, 2020 Watercolours in Miniature
  • April 2020
    • Apr 18, 2020 Bye Bye Blackbird
    • Apr 13, 2020 The Beginning Of A Sketchbook
  • February 2020
    • Feb 3, 2020 A Note On Inspiration
  • January 2020
    • Jan 2, 2020 2019: In Review
  • June 2019
    • Jun 24, 2019 The Arborealists and Guests: The Art of the Tree
  • March 2019
    • Mar 1, 2019 Harrison’s Birth Story
  • January 2019
    • Jan 16, 2019 2018: In Review
  • December 2018
    • Dec 21, 2018 Artist Interview: Dominique Cameron
  • November 2018
    • Nov 26, 2018 Artist Interview: Carolyn Roberts
    • Nov 12, 2018 The Golden Forest
    • Nov 4, 2018 A Little Life Update
  • October 2018
    • Oct 29, 2018 Artist Interview: Lucy Springall
  • September 2018
    • Sep 20, 2018 An Exhibition Realised
  • August 2018
    • Aug 29, 2018 Artist Interview: Tom Gowen
  • May 2018
    • May 28, 2018 Artist Interview: Cally Conway
  • April 2018
    • Apr 30, 2018 Artist Interview: Louise Chatfield
    • Apr 16, 2018 The 100 Day Project 2018
  • March 2018
    • Mar 28, 2018 Artist Interview: Kathy Hutton
    • Mar 26, 2018 Norway
    • Mar 19, 2018 Thirty
  • February 2018
    • Feb 26, 2018 Artist Interview: Claire Cansick
    • Feb 21, 2018 From The Road
    • Feb 13, 2018 Eternal Inspiration: The Royal Forest of Dean
    • Feb 5, 2018 A Few Seconds Of Bravery
  • January 2018
    • Jan 29, 2018 Artist Interview: Megan Fatharly
    • Jan 22, 2018 I’m An Artist
    • Jan 15, 2018 Celebrate Your Success
    • Jan 5, 2018 2017: In Review
  • December 2017
    • Dec 22, 2017 The End Of The Road
    • Dec 18, 2017 Pokhara, Nepal
    • Dec 11, 2017 Bandipur, Nepal
    • Dec 8, 2017 Kathmandu, Nepal
    • Dec 5, 2017 Varanasi, India
  • November 2017
    • Nov 27, 2017 Khajuraho, India
    • Nov 24, 2017 Rishikesh, India
    • Nov 21, 2017 Shimla, India
    • Nov 17, 2017 Tosh, India
    • Nov 14, 2017 Mcleod Ganj, Bhagsu and Manali, India
    • Nov 11, 2017 Amritsar and the Golden Temple, India
    • Nov 6, 2017 Jaisalmer, India
    • Nov 3, 2017 Jodhpur, India
  • October 2017
    • Oct 31, 2017 Udaipur, India
    • Oct 23, 2017 Pushkar, India
    • Oct 16, 2017 Jaipur, India
    • Oct 9, 2017 Agra and The Taj Mahal, India
    • Oct 2, 2017 Delhi, India
  • September 2017
    • Sep 26, 2017 New York, U.S.A.
    • Sep 18, 2017 Central America
    • Sep 4, 2017 Havana, Cuba
  • August 2017
    • Aug 30, 2017 Mexico
    • Aug 26, 2017 Exploring Tikal in Guatemala
    • Aug 22, 2017 Guatemala
    • Aug 16, 2017 Honduras
    • Aug 14, 2017 Nicaragua
  • July 2017
    • Jul 21, 2017 Costa Rica
    • Jul 19, 2017 Panama
    • Jul 17, 2017 30 Before 30
    • Jul 15, 2017 South America
    • Jul 13, 2017 Cartagena and the Caribbean Coast, Colombia
    • Jul 11, 2017 Medellín, Colombia
    • Jul 1, 2017 Salento and the Cocora Valley, Colombia
  • June 2017
    • Jun 25, 2017 Ipiales and Bogotá, Colombia
    • Jun 24, 2017 Otavalo and Mindo, Ecuador
    • Jun 21, 2017 Quito and the Middle of the World, Ecuador
    • Jun 19, 2017 Quilotoa, Ecuador
    • Jun 18, 2017 Baños, Ecuador
    • Jun 7, 2017 Mancora, Peru
    • Jun 3, 2017 Huaraz and the Santa Cruz Trek, Peru
    • Jun 2, 2017 Lima, Peru
  • May 2017
    • May 11, 2017 Nazca, Peru
  • April 2017
    • Apr 20, 2017 Machu Picchu, Peru
    • Apr 14, 2017 Cusco and the Sacred Valley, Peru
    • Apr 7, 2017 Arequipa and the Colca Canyon, Peru
  • March 2017
    • Mar 30, 2017 Travelling as an Introvert
    • Mar 19, 2017 La Paz, Bolivia
    • Mar 19, 2017 Sucre, Bolivia
    • Mar 11, 2017 Salar de Uyuni, Bolivia
  • February 2017
    • Feb 3, 2017 San Pedro de Atacama, Chile
  • January 2017
    • Jan 31, 2017 La Serena, Chile
    • Jan 13, 2017 Valparaíso, Chile
    • Jan 13, 2017 Santiago, Chile
  • December 2016
    • Dec 11, 2016 Lake District, Chile
    • Dec 7, 2016 Chiloé, Chile
    • Dec 6, 2016 Torres del Paine, Chile
    • Dec 6, 2016 Ushuaia, Argentina
  • November 2016
    • Nov 26, 2016 El Calafate and El Chaltén, Argentina
    • Nov 22, 2016 Puerto Madryn, Argentina
  • October 2016
    • Oct 20, 2016 Bariloche, Argentina
    • Oct 20, 2016 Mendoza, Argentina
    • Oct 15, 2016 Uruguay
    • Oct 15, 2016 Buenos Aires, Argentina
    • Oct 5, 2016 Paraguay
  • September 2016
    • Sep 24, 2016 Iguazu Falls
    • Sep 21, 2016 Florianópolis, Brazil
    • Sep 15, 2016 São Paulo, Brazil
    • Sep 12, 2016 Paraty, Brazil
    • Sep 7, 2016 Rio de Janeiro, Brazil
    • Sep 4, 2016 Backpacking Begins
  • August 2016
    • Aug 9, 2016 100/100
  • July 2016
    • Jul 13, 2016 Lisbon
  • April 2016
    • Apr 30, 2016 100 Day Project
    • Apr 10, 2016 Drawing on Bodmin
  • January 2016
    • Jan 17, 2016 #mysundaystudio
    • Jan 5, 2016 Indian Ink
  • December 2015
    • Dec 20, 2015 Berlin
  • November 2015
    • Nov 25, 2015 Hampshire Walking Series
  • October 2015
    • Oct 19, 2015 Dubrovnik, Montenegro and Mostar
  • September 2015
    • Sep 2, 2015 The English Lakes
  • August 2015
    • Aug 15, 2015 Time
  • June 2015
    • Jun 8, 2015 Making A Mark
    • Jun 2, 2015 Signature Art Prize 2015
    • Jun 1, 2015 Iceland Inspiration
  • February 2015
    • Feb 3, 2015 Cornish Blossom
  • January 2015
    • Jan 4, 2015 Tabula Rasa
  • December 2014
    • Dec 17, 2014 Amsterdam Art
    • Dec 9, 2014 In Progress
  • November 2014
    • Nov 29, 2014 Jerwood Drawing Prize 2014
    • Nov 28, 2014 Comfort Zones

Privacy Policy     Terms of Service Frequently Asked Questions   Copyright © Claire Leach 2023