While travelling back in 2016/17 I kept a small sketchbook where I recorded little drawings and doodles inspired by the varying landscapes that I was seeing. By the end of the trip I had amassed a small collection of handmade postcards which I could see being developed into a whole new series of travel inspired drawings. On return from my eleven month trip in July 2017 I approached a gallery and submitted a proposal for an exhibition of drawings which was accepted and pencilled in to the diary for July 2018. I had a year to turn eleven months worth of experiences into a collection of work that would fill a space all on its own.
I got to work using the postcards that I had made as a starting point. I had a sketch from a walkway at Iguazu Falls in Argentina, a muddy road in Paraty, Brazil, a forest landscape in Argentina’s Lake District as well as many more. As the months trickled away I found that my drawings were developing, they were getting more detailed and my focus became rugged landscapes; forests and woodland scenes were featuring heavily which matched up with the drawings I was doing on another project which focused on British woodland. I managed to utilise some handmade paper which I had picked up in Pokhara, Nepal just before returning home. I created loose inky sketches using Indian ink, watercolour and charcoal and based the drawings on the stunning Santa Cruz area of Peru.
Over a year I’d made 22 drawings for the exhibition which by this time I’d titled ‘From The Road’ a nod to Jack Kerouac’s novel ‘On The Road’. The exhibition deadline had given me focus which I sorely needed as I’d been out of practice with drawing. I framed the drawings myself and fixed the frames with hanging materials. The drawings were then taken to The Sheep Shed Gallery in Weyhill, Hampshire where they were displayed for two weeks. The main objectives for organising the exhibition were to provide a way to take all the ideas and memories from the trip and put them down on paper, to provide a project that would motivate me to draw after a long absence, to gain more exhibition experience and to build a rapport with a gallery. I succeeded in all these objectives which left me feeling fulfilled and grateful that after a year of work I could say that the exhibition was a success.
The feedback I received was positive, apparently upon seeing the drawings close up many couldn’t believe it was done in pen by hand. Aside from achieving my goals I was pleased to have sold one of the drawings and have interest in others. Exhibiting at The Sheep Shed Gallery was such a pleasant experience, at the end of the exhibition I was offered a last minute spot on the gallery’s ‘red wall’ as an artist had withdrawn. If I hadn’t built a relationship with the gallery then this opportunity wouldn’t have been available to me and so I was very grateful for that. With one exhibition finished I was already back in the studio creating a small collection of brand new works for the ‘red wall’ which was displayed for two weeks in early September. I’d gone from having no real exhibition experience for a couple of years due to work and travel commitments to two exhibitions in a matter of months!
I look forward to exhibiting at The Sheep Shed Gallery again in the future and to also finding experience exhibiting elsewhere across Hampshire and beyond.
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